December! We've made it. 2018 was a roller-coaster year for me, with some very bright highlights, including the release of the final book in the Creatures of Light trilogy and big progress on my other manuscripts. At times this year felt like it detached from linear time altogether, and it was possibly the most stressed I've ever been by large-scale events outside my control, but here we are at the end. In celebration, and as a holiday thank-you to my readers and followers, this month features an illustrated short story set prior to the events of Woodwalker.
It's no secret that Mae, the protagonist and narrator of Woodwalker, is exiled from her home--that much is given away on the back cover of the book. But what did things look like on the night of her arrest? What furtive things were swirling around the palace, and who was slinking through the shadows before Mae was led away from the Silverwood? Take a glimpse into that fateful night through the eyes of a character readers might remember from the firefly slopes of Lampyrinae.
If you haven't read Woodwalker, not to worry--there are only a few spoilers included in this story, and none are major to the plot. Consider this a peek into the events leading up to chapter one. For those of you who have read the book, keep your eyes open for nods to some of the twists and turns you know and love...
Read it all after the jump!
It’s the same every year—shortly after Halloween, when Pumpkin Spice gets the boot in favor of Peppermint Mocha, my anxiety shoots through the roof. It’s November 3rd! It’s practically Christmas Eve! My love language is gifts, and my husband is gift-challenged, so the majority of holiday gift brainstorming, researching, purchasing, wrapping, and giving ultimately falls on me. I like it when I can come up with the perfect gift (like the 7-Eleven Tour de France bike jersey I got for my husband a few years ago), and I get stressed when I fall short (my brother’s wish list ranges from ‘airplane’ to ‘ski trip in Vermont,’ so I invariably end up getting him gift cards, which always makes me feel stupid).
Anyway, this year, I had a great gift idea for my youngest daughter. Before she was born, I wrote and illustrated a picture book for her sister called “Fairy for a Day.” It featured my eldest rescuing a fairy and being gifted wings and a fantastic floral wardrobe, replete with sparkles and friendly woodland creatures. Both my girls love reading it, and I figured it was high time my youngest had a picture book of her own.
The catch is, of course, that picture books take time. A lot of time. There’s a reason hiring an illustrator is so expensive, and it’s because nothing kills the look of a project more than it being rushed. Here’s a secret: I actually don’t like reading the Fairy for a Day book I wrote for my eldest. The writing is bad and the illustrations are bad, and it’s because I did it too fast, trying to whip it off with enough time to send to the printer before her birthday.
I’ve grown a lot as an illustrator since then. I dedicated most of 2016 to honing my ability to work efficiently. I’d set timers for digital paintings and make myself consider the piece done when the time was up. I participated in Inktober for the first time, which forced me to move on to a new piece each day. It’s not easy working like this—it’s a skill that has to be practiced. And of course, nothing tops the quality gained by a generous deadline. But sometimes we simply don’t have the time. I’m still not as efficient as I’d like to be, but I’m a lot better than I was when I created Fairy for a Day. So it was with more confidence that I set about creating my youngest’s Christmas present--Mermaid for a Day.
In this month’s blog post, I’m sharing some suggestions for how to create an appealing, dynamic piece while on a tight deadline. See them all below the jump!
I’ve been thinking a lot about heroines this month.
It started with Inktober, the month-long challenge where artists post a pen and ink drawing every day. Back at the end of September, when the news cycle was especially ugly, I wasn’t sure I was going to have the emotional stamina to see Inktober through this year. I’ve come to love it—it’s made ink one of my favorite mediums besides digital art. But 31 days of illustrations seemed like such a tall order in a world where political and climate disasters are so big and my voice and efforts seem so small. Normally I like to plot out my posts ahead of time, but as September wound down with little to no inspiration for the official prompts, it seemed more and more pointless.
Two things saved me. One was my current re-read of the Queen’s Thief series in preparation for the release of Return of the Thief early next year (this marks the 897th time Megan Whalen Turner’s work has rescued me emotionally). The other was the official prompt for Inktober day 1: “poisonous.” Being deep into the Queen’s Thief automatically made me think of the character of Irene, who poisons the man trying to steal her throne. This led me to wonder what other fictional heroines could fit with the other prompts, and all of a sudden I had a sub-theme. I would draw a different heroine every day, hoping to wrap myself up in women who make things happen, whether that means toppling regimes or loving their families. So began #31DaysofHeroines.
I also had the great experience of being on an awesome Girl Power panel at the ReadUp Book Festival in Greenville, SC. For one hour, Gwenda Bond (Lois Lane: Fallout), Beth Revis (Give the Dark My Love), Hope Larson (All Summer Long), and I talked about our favorite heroines, writing wonderful women, and navigating our current social and political climate. I also got to sit in on other panels with some of my favorite YA authors, like Dhonielle Clayton (The Belles), Nic Stone (Odd One Out), and Becky Albertalli (Leah on the Offbeat) as they talked about identity, gender, and writing honest, powerful characters.
All this has led to a solid month of recalling all my favorite heroines from literature and movies and analyzing what I love about them. If you had asked me on September 30th, I would have wondered if I could see this sub-theme through to the end. Now I wish I had another three months of prompts to fill in. There are so many amazing girl characters that I wasn't able to incorporate. And simply surrounding myself with some of my favorite fictional women, both from my childhood and from recent reads, has revitalized me more than I ever would have expected a month ago.
It’s also highlighted some common threads among this spectrum of characters. Whether it’s a fairy tale a few centuries old or a fresh, progressive story from this year, I found that a handful of the same themes kept jumping out at me. So this month, for writers plotting out their mighty heroines, I’ve put together a list of six ways to elevate your heroines to the next level. Read them all after the jump!
Recently I’ve given several programs on the power of fan art, and during these programs, I always make sure to stress that the same value applies to fanfiction as well. There’s a good reason for that—most of my completed manuscripts prior to Woodwalker’s publication were fanfiction. The most significant of these, at least in relationship to my published work, is a 67,000 word fic set in the world and events of The Hobbit (in comparison, Woodwalker is 72k words). I wrote it after the first Hobbit movie came out and made me mad with how little it held to the spirit of the book, keeping me awake at night with all the potential that had been lost. It ended up becoming the first of a duology, with the second installment set during The Lord of the Rings.
Nobody has read these fics, not even my best friend and beta reader, who’s read almost everything else I’ve ever written. And they’re not my only LotR fics—I wrote one in undergrad that topped 115k words and encompassed about 500 years of Middle Earth history. But the one set during The Hobbit is the most special to me for several reasons—first, because The Hobbit defined my childhood and ignited my love of fantasy, quests, and worldbuilding. Second, because it was the fic I was writing when my husband finally found out, after four years of marriage, that all the typing I was doing on my computer wasn’t just social media, but fiction writing. And third, because without it, I wouldn’t have conceived of the character of Mae and the plot of Woodwalker.
Warning: Big plot spoilers for Woodwalker below (but none for books 2 and 3). Read them all after the jump!
This month, I am so stoked to bring you an extra-special guest post PLUS the biggest Creatures of Light giveaway yet! As many of you saw, earlier this month I attended Electric City Comicon, hosted by the Anderson County Library System in South Carolina. There I got to moderate a panel with three fantastic SFF authors, judge the Fan Art Contest, and do some super-fun live-drawing for an excitable peanut gallery. It was a great event, but the biggest thrill for me, hands down, was seeing the legendary Sadie by Design cosplay Queen Mona.
Look at this gown! Look at it! Look at her crown! Her pendant! Her hair! Her freckles! From the moment Sadie told me she was thinking of cosplaying Mona, I knew she would be absolutely perfect, but I never expected to be this blown away by her work. Her friend and fellow cosplayer Virginia also showed up in a spot-on rendition of Mae.
My heart, y’all. I think many authors would agree that the ultimate dream is seeing artwork inspired by our books. I spent the day in a sort of foggy high, grinning and clapping every time Sadie glided elegantly through the event. Unsurprisingly, she won second place in the Adult Cosplay Contest. And now she’s been gracious enough to break down her process for you and provide some insights into how she meticulously and lovingly created such fantastic cosplay.
And to make things EXTRA special, we’ve collaborated to bring you the epic CREATURES OF LIGHT PRIZE PACK GIVEAWAY! One lucky winner will receive a signed trilogy set from me, two stunning photo prints of Sadie’s cosplay, and a handful of CoL bookmarks and stickers. Check out all the details and enter to win at the end of this post!
Now it’s my honor to introduce Sadie from Sadie by Design---take it all in below the jump!
My name is Brian Robeson and I am thirteen years old and I am alone in the north woods of Canada.
When I was in seventh grade, during the dawn of dial-up Internet and Angelfire websites, I wrote a fan letter to Gary Paulsen telling him how much I loved his adventure books. He replied with a signed typewritten letter and a Polaroid photo of him on a sailboat in a gray Alaskan inlet. The postscript of the letter went like this:
Read all the time; read when they tell you not to read, read with a flashlight under the covers, read on the bus, standing on the corner, waiting for a friend, in the dentist’s waiting room. Read every minute you can. Read like a wolf eats. READ.
I followed Gary Paulsen’s advice up until I reached grad school, when my life was overtaken by academia and, later, motherhood. But now, with two kids eager to devour the same adventures and worlds I did, and with my re-entry into the world of literature as an author, not just a reader, I’m happily rediscovering his wise advice to thirteen-year-old me. Reading isn’t just a pastime; it’s a gateway and lifeline to a broader human experience. Would I be a park ranger today if I hadn’t been transported to Brian Robeson’s L-shaped lake in northern Canada?
Hatchet was a foundational book for a lot of the scouts, rangers, and outdoorsfolk I hang out with—the story of a kid like us, a city boy from a stressful household, who finds himself lost in the rugged wilderness with a small hatchet as his only tool. It was equally captivating and terrifying to stumble along with Brian as he guesses his way through survival, relying on memories of action movies and shipwreck stories, giving childish names to the things he comes to rely on—gut cherries, foolbirds, food fish. And Hatchet certainly isn’t Gary Paulsen’s only survival story. Most of his work—even his autobiography and sci-fi work—is threaded with themes of struggle and cohesion with nature.
Survival remains one of my favorite tropes in literature. From childhood favorites like Island of the Blue Dolphins (O’Dell) and The Sign of the Beaver (Speare) to recent favorites like The Moor’s Account (Lalami) and In the Heart of the Sea (Philbrick), I’m a sucker for a story that throws a character into a wild unknown and forces them to adapt. And now that I’m a published author, I’m not just a sucker for reading these characters, but writing them, too. In fact, I’m mere paragraphs away in my current manuscript from stripping every bit of gear from my protagonists and pushing them into a fifty-mile expanse of waterless desert. Granted, I’m not sure how I’m going to get them across, but at this point they’re cleverer than me, and I expect they’ll show me.
Part one of “So Your Hero is Roughing It” focused on equipping your characters with the most basic gear they might need to survive a quest. This installment focuses instead on what happens when you take all that stuff away. I’ll make the same disclaimer here as I made in Part One: this is not a survival guide. Don’t screenshot this blog and head off into the Yukon. This is a resource for writers and role-players looking for plot nuggets and worldbuilding ideas. I’ve kept things relatively generic on purpose—a lot of your details will depend on what environment your characters are traveling through. Finding medicinal plants in a temperate rainforest is going to be a heck of a lot different from finding medicinal plants in high steppes. This is just a framework, not an in-depth guide.
Read more after the jump!
So you know how I said last month that I was finally getting a Wacom Cintiq to replace my external Intuos tablet? Well, I did it! It wasn't an entirely seamless process, complete with the gutting realization that the Cintiq wasn't compatible with my current laptop, but after some setbacks I got it set up in the past week and have started tinkering with it. And with June's blog structured for readers of my trilogy, what better way to break it in than by drawing a bunch of pictures of my protagonists!
While romance isn't the central part of the Creatures of Light trilogy, it's a strong current throughout all three books. Partnerships--both platonic and romantic--play a big role in driving the plot and upping the stakes. And the romances, be they past or present or on the rise, are not simple, sweet things. They're messy, and bittersweet, and at times very, very hard. Some fall apart over the course of the trilogy, some bloom. But they all have an impact, leaving characters different people from who they were before.
So this blog post features an illustrated snippet from each protagonist's first meaningful interaction with their significant other. Some are right there in the text, and some are only hinted at. Obviously, there are spoilers ahead! But I've arranged and labeled them by book, so if you've only read Woodwalker, you can stop without spoiling the rest; likewise for Ashes to Fire. If you haven't read any of them.... get out now while you still can!(Shameless link to book one in the series here!)
See them all after the jump!
I've said it before and I'll say it again: fan art--and fan fiction--gets a bad rap, despite having this amazing power to build community, support other creators, and expand an artist or writer's skills. It took me a long time to stop feeling embarrassed about creating fan art and -fiction--now I can look back and see all the strides I've made because I was inspired by my favorite books or movies to draw and write, and I can safely say I wouldn't be at the same place, technically or stylistically, without sketchbooks and Word documents full of fan-fueled creations.
It's timely, then, that I'll be giving two presentations this summer on the power and value of fan art! I'll be sharing some work that has made a difference in my career and doing a live-drawing demonstration of a popular character the audience will help me pick (for more info, see my Events page). To get ready for these programs, I asked my Facebook and Twitter followers to vote on a character I should draw for my May blog post. Out of a poll of four cool young women, Katara beat out Hermione, Eowyn, and Moana!
I got into Avatar: The Last Airbender in undergrad, which at the time felt way too old to be watching a kid's anime, but now I love referencing it as an example of masterful storytelling, worldbuilding, and character arcs. And I hadn't drawn Katara in so long! So here she is---check out her progress video and art tutorial below the jump!
“What are you doing, Mrs. Beaver?” exclaimed Susan.
Ah, the quest—a staple of fantasy literature both classic and modern. Rugged journeys through wild lands, relying on wit and luck and the kindness of strangers. Quests and survivalism remain some of my favorite tropes to both read and write.
However, I have to admit, when I read a quest where there’s no mention of packs or bags—or more blatantly, when there’s a movie adaptation and no depiction of characters carrying gear—the ranger in me convulses a little. You, human, hiking through the wilderness—where’s your water bottle? Your map? Your fire kit? Your blanket?
I get it—bulky packs look silly (which is why Samwise carries one for comic relief), and too much time spent on travel minutiae can bog down a story’s pacing. But in fantasy worldbuilding, it’s often the mundane details juxtaposed with fantastic elements that create a complex, lived-in world. Seeing Hermione trying to stew mushrooms in a billy can in Harry Potter and the Deathly Hallows shows us how dire things can get, even for wizards. And seeing Mrs. Beaver determined to pack a few necessities despite the complaints of the others show that while strange and wonderful, Narnia is still a dangerous place for the unprepared.
This is one of two segments I’m planning to write on the topic of quest practicality—in this post I’ll focus on the most basic gear a typical human might need to survive in the wilderness, while the second installment will be on improvising the rest from the surrounding environment, like first aid, shelter, and clean water. This is all written for like-minded authors collecting ideas to flesh out their world- and character-building, not for adventurers looking to pull a Christopher McCandless and strike out into the wild. We can have that conversation another time, when I’m wearing my ranger hat.
Read more after the jump!
Some of you know that Creatures of Light had to be almost entirely rewritten just a few months before publication--particularly if you were lucky enough to follow along my slow deterioration into temporary insanity while on deadline last summer. The book as it exists now was written in about three and a half months. While there are a few snippets that remained the same from the first incarnation to the next--like some of the travel through the cave system, and a bit of the interaction with Gemma's mother--most of it is completely different. Different characters died, different characters fell in love, different countries ended up with alternative political systems. And almost none of it revolved around the protagonist, Gemma--which became the main reason the story needed a complete reorientation.
The book is much stronger now, thanks to the guidance from my agent and editor and feedback from my betas. And one of the many gifts the rewrite has given me is an entire manuscript of unpublished material. Most of it is irrelevant now, but the prologue below still could have happened within the canon of the current book. In it, we see Mona, Mae, Rou, and Colm a few weeks after the end of Ashes to Fire, with Mona sick in bed and still trying to get stuff done anyway. I never truly loved this prologue, because unlike the first two books, it didn't add any extra layers to the story--and again, none of it revolves around the protagonist at all. But it's got a few little fun snippets, and probably still happened in the interlude between books 2 and 3. Check it out below the jump!
Warning: There are some spoilers for Woodwalker and Ashes to Fire included, so proceed at your own discretion!
Emily B. Martin
Author and Illustrator